Brilliant Meg for me, with Dredd actually being the weakest thing in it. Was still good, but lost a lot of welly in being gone for a month which is a shame.
Numbercruncher is still great, Holden's art is a joy in the way the style seems to change sometimes over the course of a page (or a panel even) depending on who and what you're looking at but it's always organic enough that it never jars. Curious where it will go from here, as it might become repetitive if it's a Roadrunner-esque chase/outsmart cycle repeated. It hasn't become repetitive, it just might. I've got enough faith in PJ and Spurrier that it'll stay interesting.
Anderson was brilliant, am hoping her tripped out state gives Boo Cook plenty of space to flex his creative muscles, because just the couple of trippy panels so far have been splendid. And I know she's 50, and the depiction of her as a sexed up fembot seems odd if you think about it too much, but damn she looks good in that panel where she first gets a dose.
And the highlight for me (as usual) was Insurrection. I couldn't quite believe we were on the finale, and couldn't for the life of me think how they could wrap it up. And they didn't. Maybe this will turn out to be the right way to leave it, right now I'm not so sure, but it definitely gave me pause for thought. I see the trade in December apparently collects Insurrection and Insurrection 2, so I'm assuming that either means this is the end, or that there's be enough of it to come for another trade (I'd hate to see any of it not collected). As it is I'm gonna read the whole thing again and see how I feel but right now I feel I've been left hanging.
Enjoyed the articles more than usual, although I'm still avoiding the film reviews whenever they look like films I don't want spoiled (like this month), and I skim through the artist features usually. I love the art and obviously have a huge respect for what they do, but because they're always 2000AD or ex-2000AD artists doing a whole feature on how they got into the business is pretty pointless and reads the same every month. We know how they got into the business. Through 2000AD. Probably a lot more interesting to those lucky enough to be artists themselves mind you.