Another super prog. How consistently good is it these days? Not that anyone will be reading this - you'll all have hangovers from Thought Bubble. Anyway-
DREDD:
Oooh. Just, oooh. Wagner doing epic at his best. Loads of exposition. Ending with Dredd
lrsving to go to Russia, as predicted. You know what, I ate this up - read it, then went back and considered the dashed fab art by Leigh Gallagher. And yet this is the
weakest story in the prog, as the use of the precog device seems a little thin.
SINDEX:
I like SinDex, especially now that there is a bit of an over-arching story rather than little murder tales. A nice combination of murder fatigue, ultra violence and a good old fashioned cliffhanger.
INDIGO PRIME:
Rattles along. Who are the Overseers? Are they human(ish)? They seem like bad eggs to me.
ANGEL ZERO:
Actually, forgot about this when I said Dredd was the weakest entry. Again, I like this. But it suffers from being the old school meat sandwhiched between Indigo Prime and Dirty Frank's meta-mixed insanity.
LOW LIFE:
Ends.
"He was alive and he was Dirty Frank. He knew this. Not many of us can say the same." I am not sure if this will come back. It feels like an line being drawn but I'd be happy for it to return. At the same time, if it is the end then what a way to go.
No letters.
Ooh. "The Project" gets a plug. This starts in Prog 2012. What is it, you ask? Why, it's only the second part of the The Life and Death of Johnny Alpha.
DAMAGE REPORT:
Tharg, real men are comfortable with their sexuality. And/or would be
soooo drunk last night that they collapse fully dressed.