Memento looked to be the sort of soppy, pointless sci-fi that often rears its head in self-published anthology titles (almost always silent, because.. hey! it's pathos).
Bad Company looked appalling, Brett Ewins inked by Jim McCarthy? If there was anything of Brett Ewins left in that then it was obviously obliterated by McCarthy's inking broomstick. Whatever happened to Ewins, he was easily one of my favourite artists -- but since the early 90s (when Shakey "Oh look, a badbly done Kirby pastiche" Kane, Jim "Not nearly as talented as his brother" McCarthy and Simon "Bleurgh" Harrison destroyed the comic)it's like he's been in some kind of weird cult of the untalented. It's a sad loss.
Sinister Dextor was Sinister Dextor, never really been able to get into it because it's simply dull sci-fi by the numbers, nothing that special about it. Still, it's not that bad for filler.
First Dredd - been done, a number of times. Although it was gorgeous to look at.
Second Dredd - very funny, lovely Cam Kennedy artwork.
Storming Heaven. Ah, the inevitiable knee-jerk comparison. Superhero in 2000AD? hey! it must be Zenith! Why not compare the first ever episode of a new series with a story that had four books, yeah, that'll work!
2000AD's readerships average age is 31. While I'd rather the readership was 11 again it's too late. Face facts, if there are kids that read it then they are the exception rather than the rule. I'd like to hope the average reader can make up their own mind about drugs (personally, I'm trynna score me some LSD cus I want to be a superhero).
Am I alone in thinking that Reefer Madness was strongly anti-drugs?
Shakara looked incredible and was a good read. Dante looked fantastic and was a good read. Storming Heaven looked great and was a good read. The rest was -at the very worst- good, solid filler material. I thought prog 2002 was the strongest prog for a long time, and I'd have no problem if the prog stayed like it.